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Past Exhibition

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Zuzanna Czebatul, Félicia Atkinson, Antoine Donzeaud

18 November 2016 – 6 December 2016

THINK WORK SHOW GUY SPACE ONE ANTOINE FELICIA ZUZANNA KNOW SOON MAYBE WAY SOMETHING SPEAK BARBARA TITLE ATKINSON ETC REAL OPEN IDEA GMT+0200 FEEL PARIS BIT HEY PEOPLE OK GREAT JUST (BLANK) FIND PLACE EMAIL THANK WANT SOUND VERY PROBLEM SINCE STOCK

THINK WORK SHOW GUY SPACE ONE ANTOINE FELICIA ZUZANNA KNOW SOON MAYBE WAY SOMETHING SPEAK BARBARA TITLE ATKINSON ETC REAL OPEN IDEA GMT+0200 FEEL PARIS BIT HEY PEOPLE OK GREAT JUST (BLANK) FIND PLACE EMAIL THANK WANT SOUND VERY PROBLEM SINCE STOCKHOLM PIECE SURE BERLIN TEXT BEST ART SEE BACK SUZANNA KIND YOU'RE SEND TWO LIVE PROJECT LAST GET RIGHT POINT TAKE I'M IMAGE THING LOOK HELP COOL COME PUSH DAY WELL BRUSSEL DIFFERENT DONT ASK CAMERON SEEM USE WEEK YEAR F FIRST PLAY QUITE SHARE LL INTEREST SAME BOOK IDEAS HOPE OCT NEVER CASE AWAY GOT MADE DONZEAUD GUESS EXHIBITION PROPOSE CZEBATUL TOWN RUN FELICIA START GALLERY AGAIN GENTRIFICATION MUCH PART VISUAL TOP STATE CONTACT GYM ARTIST MENTION WORD PERSON PERSONAL MAKE BIG HAPPY FABRIC GONNA FOCUS THOUGH FRANCE TOTAL GO WROTE WRITE BALL TOPIC SUGGEST SHELTER NOVEMBER HOW TRANSITORY TOGETHER UNDERSTAND SHIPPING THROUGH GROUP TRY VIDEOS MIGHT RECORD PRIVILEGE LOVE PRETTY NEW ACTUAL FORWARD STAY CLASS GOLF HELLO STILL PLATFORM GOOD FEW KEEP LECTURE BUILD SOMEHOW OBVIOUS ASPECT LIKE THOUGHT OBJECT ADD SPECIFIC ANYWAY TERM LATE PLAN TALK ARRIVE READY BECAUSE TRAVEL INSTALLATION AIR DATE PRESS

* Reading the email exchange between the artists, I realized the setting of curatron emphasizes the role of text as I noticed their use of key words. Using a word count tool, I render the patterns like an algorithm, first in an auto-generated fashion with the 50 words most used in their exchange combined with the key words, then by order of appearance with the 200 words most used. – Barbara Sirieix

Zuzanna Czebatul (born in 1986, Międzyrzecz) lives and works in Berlin. She studied Fine Arts at the Städelschule, Frankfurt/Main, in 2013, and later attended Hunter College, New York, as Fulbright Fellow. She is also a recipient of the 2015 SOMA Scholarship, Mexico City.

Czebatul has had solo exhibitions at MINI/Goethe-Institut Curatorial Residencies Ludlow 38, New York; Bad Reputation, Los Angeles; Schmidt & Handrup, Cologne; Gillmeier Rech, Berlin; and 1822-Forum, Frankfurt/Main. Recently, her work was included in group exhibitions at Contemporary Art Museum St. Louis; Galerie Jeanroch Dard, Brussels; YGREC, Paris; 1m3, Lausanne; Heidelberger Kunstverein; and Villa Romana, Florence, among others. In addition to recent group shows she has also had a recent solo exhibition at Piktogram and participated at the exhibition "Nic o was beznas" during the Kongres Kultury in Warsaw.

Czebatul works as a sculptor, producing her own materials and creating works that merge the differentiation between commercial product and artistic production. Her work is influenced by the aesthetics of ancient sculptures, modern forms of display and presentation, as well as the club culture of the nineties.

Félicia Atkinson (born 1981 in Paris) lives and works in Rennes. She graduated with Honors from l'Ecole Nationale Supérieure des Beaux-Arts de Paris and was also involved with the experimental pedagogical dance project BOCAL with Boris Charmatz in 2003.

She is a visual artist, an experimental musician and the co-publisher of the independent imprint Shelter Press/curatorial platform Argument with Bartolomé Sanson. She has exhibited her work at Komplot (Brussels), Bozar (Brussels), MUCA ROMA (Mexico D.F), Overgaden (Copenhagen), Lieu Commun/ Printemps de Septembre (Toulouse), Rinomina (Paris), Land and sea (Oakland), Chert Gallery (Berlin), and Joseph Tang Gallery (Paris), among others.

As a musician and sound artist, she has performed at Palais de Tokyo in Paris, Cinema Tonala in Mexico D.F, Maison de France in Rio de Janeiro, Wiels in Brussels, MOCA in Los Angeles, Rewire Festival in Den Hague, and Borderline Festival in Athens, among others. She has published more than 15 records on various labels (including Shelter Press, Aguirre, Umor-rex, NNA Tapes, and Peak Oil) and a series of books with her own imprint, Shelter Press.

Her works deals mostly with the topics of improvisation, audio, fiction, instant composition, noise, landscape, abstraction, and poetry. Her paintings, drawings, sculpture, texts, installations, performances, and musical compositions are mostly abstract and are fed by multiples expeditions to many places such as Finland, Brazil, Mexico, Brittany, Arizona, California and Oregon, where she collect sounds, objects, materials and other diverse materials to her visual and sound works.

Antoine Donzeaud (born 1985 in Vitry-sur-Seine, FR) lives and works in Paris. He studied painting at UCLA and graduated from Villa Arson in Nice. He is the co-director of the project space Exo Exo along with curator Elisa Rigoulet. Since Fall 2013 they have presented shows and projects by international artists and curators. As an artist he has shown in institutions such as Rupert, Vilnius ; Rivoli2 Foundation, Milan and has had gallery shows at Valentin, Paris ; Ashes/Ashes, Los Angeles ; Nicodim, Bucharest.

Donzeaud's works tend to form the spatial completion of a mental urbanization which devises new layout plans according to the space and its architecture. Through the mediums of painting, sculpture or video, he develops installations that subtly balance creation and re-invention with a rawness reminiscent of youthful nonchalance. His works convey simple gestures both pictural and sculptural, often laced with irony. Borrowing from art history, literature and vernacular culture Donzeaud addresses social interactions and narratives, both virtual and IRL, evolving in a staged environment but ever so close to home.

curation by: Curatron

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